Etheridge knight wiki

American poet (–)

Etheridge Knight (April 19, – March 10, ) was an African-Americanpoet who made his name in with his debut volume, Poems from Prison. The book recalls in verse his eight-year-long sentence after his arrest for robbery in By the time he left prison, Knight had prepared a second volume featuring his own writings and works of his fellow inmates.

This second book, first published in Italy under the title Voce negre dal carcere, appeared in English in as Black Voices from Prison. These works established Knight as one of the major poets of the Black Arts Movement, which flourished from the early s through the mids.

With roots in the Civil Rights Movement, Malcolm X and the Nation of Islam, and the Ebony Power Movement, Etheridge Knight and other American artists within the movement sought to create politically engaged work that explored the African-American cultural and historical experience.^[1]

Knight is also considered an essential poet in the mainstream American tradition.

In his book Understanding Etheridge Knight, Michael S. Collins calls Knight "a mighty American poetHe and Wallace Stevens remain as 'two poles of American poetry,' according to his better-known fellow writer Robert Bly.^[2] Or, rather, Knight was, as he often said, a poet of the belly: a poet of the earth and of the body, a poet of the feelings from which cries and blood oaths and arias show up, while Stevens was a poet, arguably, of the ache left in the intellect after it tears itself from God.

'Ideas are not the source of poetry,' Knight told one interviewer. 'For me it's passion, heart and soul'"^{[citation needed]}

Biography

Knight was born on April 19, , as one of eight^[3] children to Belzora Cozart ^[4] Knight and Etheridge "Bushie" Knight in rural Corinth, Mississippi,^[5] but moved with his family to Paducah, Kentucky, where his father, a failed farmer, worked as a laborer on the Kentucky Dam.^[3] During this time, Knight frequently ran away from home, and so, was sent back to Corinth during the summer to continue with an uncle.^[3] Although he was an extremely bright pupil, Knight decided to drop out of school at the age of ^[6] His first occupation was as a shoe shiner in a small Kentucky town, where he first became more attuned to nuances of language as he absorbed the nature and activity around him.^[7] In addition to his work, Knight spent much of his hour at juke joints, pool halls, and underground poker games, which furthered his interest in language.^[8] It was during this second that Knight became exposed to "toasts," which are narrative-style oral poetry which relates a story.^[3] In , Knight enlisted in the army and served as a medical technician in the Korean War until November , during which time he sustained serious wound as well as psychological trauma, which led him to begin using morphine.^[9] By the time Knight was discharged from the army and returned to Indianapolis, Indiana, where his family had moved, he had become addicted to opiates.^[10] He spent much of the next several years dealing drugs and stealing to support his drug addiction.^[10]

In , after a limited previous run-ins with the police, Knight and two of his associates were arrested for armed robbery.^[11] Knight was initially so furious about his sentence that he was later unable to recall much of what happened during his first few months of his sentence.^[11] But after realizing that such anger was counterproductive, he turned his attention to reading as much as he could and dedicated himself to poetry.^[10]

During the following years, Knight became increasingly well established for his poetry writings.

After working as a journalist for prison publications, he began submitting poetry to the Negro Digest in ^[12] He also started establishing contacts with significant figures in the African-American literary society, including well-known poets like Gwendolyn Brooks, Dudley Randall, Sonia Sanchez and Haki Madhubuti, many of whom came to visit him in prison.^[13] The poems he had written during his second in prison were so efficient that Dudley Randall, a poet and owner of Broadside Push, published Knight’s first volume of verse, Poems from Prison, and hailed Knight as one of the major poets of the Black Arts Movement.

The book’s publication coincided with his let go from prison.

Upon his unleash from prison in , Knight married poet Sonia Sanchez. Over the next few years, he held the position of writer-in-residence at several universities, including two years, and , spent at the University of Pittsburgh.

While living in Pittsburgh with his wife and their family, Knight spent time as poetry editor for Motive magazine. Because of his ongoing drug addiction, his marriage to Sanchez did not last long, and they were divorced in while still in Pittsburgh.

He continued writing his third book, Belly Song and Other Poems, which was published in His third work incorporates new life experiences and attitudes about love and race, and Knight was praised for the work’s sincerity.

Belly Song was nominated for the National Manual Award and the Pulitzer Prize. Knight’s time in Pennsylvania was very important to his career: his work during this period won him both a National Endowment for the Arts grant in and a Guggenheim Fellowship in

He married Mary McAnally in , and she adopted two children.

They settled in Minneapolis, Minnesota, until they separated in He then resided in Memphis, Tennessee, where he received Methadone treatments. Knight rose from a life of poverty, crime, and drug addiction to get exactly what he expressed in his notebook in a voice that was heard and helped his people.

Knight continued to write throughout his post-prison experience. Belly Song and Other Poems () dealt with themes of racism and love. Knight believed the poet was a "meddler" or intermediary between the poem and the reader. He elaborated on this concept in his work Born of a Woman.

The Essential Etheridge Knight (), which is a compilation of his work.

In , he earned a bachelor's degree in American poetry and criminal justice from Martin Center University in Indianapolis. Knight taught at the University of Pittsburgh, the University of Hartford, and Lincoln University, before he was forced to stop working due to illness.

He also continued to be known as a charismatic poetry reader. Knight died in Indianapolis, Indiana, of lung cancer on March 10,

Style and themes

Knight’s poetry uses Black vernacular and includes a number of haiku among its forms, including this poem titled ″Vigo County″: ″Beyond the brown hill / Above the silent cedars, / Blackbirds flee the April rains.″.^[14] This message aligns with the Jet Arts Movement in that the artists were no longer going to be imprisoned by silence; they would use their voices and art to escape.

Joyce Ann Joyce places Knight "in the context of an African philosophical/aesthetic tradition." His "tribute to the ancestors," she writes, "emerges as a ritualistic drama in which the values of the poet's ancestors are reborn, redefined, reaffirmed and reinterpreted, at once giving them added viability and sacralizing their new form." This ethnophilosophical perspective, she finds, "differs significantly from the Eurocentric framework of intertextuality that confines itself to reading texts only within the context of other texts.” Joyce calls him “a truly African oral performer," whose subjects "grew out of his and his people's lives" so that "viewed in the context of an African philosophical/aesthetic tradition, his poetry places him among those at the vanguard of any discussion of the history of African-American poetic letters."^[15] In his poem, ″Cell Song″ Knight articulates his desire to create great from his time in prison.

He speaks to himself:

Night Music Slanted

Light strike the cave of sleep. I alone

tread the red circle

and twist the space with speech

Come now, etheridge, don't

be a savior; take your words and scrape

the sky, jolt rain

on the desert, sprinkle

salt on the tail

of a girl,

can there anything

good come out of

prison^[14]

Knight places the reader within the cell; he capitalizes the first three words to show emphasis – this is not actual music, but the quiet and intermittent noises expected to be heard at night in prison.

In the dark and bright of the "red circle," he paces and ruminates over the words and ideas in his head.

Etheridge Knight (born April 19, , Corinth, Miss., U.S.—died March 10, , Indianapolis, Ind.) was an African American poet who emerged as a robust voice of the Black Arts movement with his first volume of verse, Poems from Prison ().

He attempts to undertaking to that life beyond the prison walls, to use his talents for good, to utilize his words to make an impact. The reader can envision Knight walking in small circles within his cell, as the words of the poem wind tighter and tighter.

He concludes rather than questions that ″good″ can ″come out of prison.″

His exploration of themes of freedom and imprisonment, including his tributes to Martin Luther King Jr. and Malcolm X, are noted in a biographical explore by Cassie Premo, who writes that his life and function dwell on "the theme of prisons imposed from without (slavery, racism, poverty, incarceration) and prisons from within (addiction, repetition of painful patterns) [which] are countered with the theme of release.

His poems of suffering and survival, trial and tribute, deficit and love testify to the fact that we are never completely imprisoned.

Etheridge Knight April 19, — March 10, was an African-American poet who made his name in with his debut volume, Poems from Prison. The book recalls in verse his eight-year-long sentence after his arrest for robbery in By the time he left prison, Knight had prepared a second volume featuring his own writings and works of his fellow inmates. This second book, first published in Italy under the title Voce negre dal carcere, appeared in English in as Black Voices from Prison.

Knight's poetry expresses our freedom of consciousness and attests to our capacity for connection to others.”^[16]

In his prison-era poem, "The Warden Said to Me the Other Day," Knight "limns his feelings of emotional, imaginative, and perceptual confinement."^[17]

The warden said to me the other day

(innocently, I think), "Say etheridge,

why arrive the black boys don't move off

like the white boys do?"

I lowered my jaw and scratched my head

And said (innocently, I think), "Well, suh,

I ain't for sure, but I reckon it's lead to

We ain't got no wheres to run to."^[17]

Written in a vernacular style reminiscent of a tale by Uncle Remus, Knight expresses the doubtfulness of jet autonomy and white motives, for "Knight[sees] American as a prison where, no matter how benevolent a warden wishes to be, his gestures remain part of what locks his charges in."^[17] Knight's true prison, then, is the ways in which the Law, controlled by white America, imprisons black bodies and ebony voices, regardless of their presumed physical freedom.

Knight's poem, ″A WASP Woman Visits a Shadowy Junkie in Prison″ shows how humans must only find a common interest to make a connection, in this case, both the black man and alabaster woman have children. According to Premo, the "encounter leaves the man touched and softened by the woman, as are many of Knight's male speakers.^[18] In ″Belly Song,″ the speaker "sings of love: all the passion, pain, memory, and passion of living.″ ^[18] In ″The Stretching of the Belly," Knight contrasts the stretchmarks of his third wife, Charlene Blackburn with his own scars.

His wife's standing for ″growth and life″ while his are from ″war, violence, and slavery.″ ^[18]

Works

• Poems from Prison. Detroit: Broadside Press,
• 2 Poems for Black Relocation Centers,
• The Notion of Ancestry,
• Black Voices from Prison (with others).

  New York: Pathfinder Press,

• A Poem for Brother Man,
• For Black Poets Who Think of Suicide,
• Belly Song and Other Poems. Detroit: Broadside Press,
• Born of a Woman: New and Selected Poems. Boston: Houghton Mifflin,
• The Vital Etheridge Knight. Pittsburgh: University of Pittsburgh Press,
• The Lost Etheridge. Athens: Kinchafoonee Creek Press,

References

External links