Lalla essaydi biography of nancy

She currently works in Boston, Massachusettsand Morocco. Her current residence is in New York. Essaydi was born in MarrakeshMorocco in She left to attend high school in Paris at

Lalla Essaydi

Moroccan photographer

Lalla Assia Essaydi (Arabic: للا السيدي; born ) is a Moroccan photographer known for her staged photographs of Arab women in contemporary art. She currently works in Boston, Massachusetts, and Morocco.

Her current residence is in New York.

Early life and education

Essaydi was born in Marrakesh, Morocco in She left to attend high institution in Paris at She married after returning to Morocco and moved to Saudi Arabia where she had two children and divorced.

Essaydi returned to Paris in the early s to attend the École nationale supérieure des Beaux-Arts.[1] She moved to Boston in and earned her BFA from Tufts University in and her MFA in painting and photography from the Educational facility of the Museum of Okay Arts in [2]

Work

Influenced by her experiences growing up in Morocco and Saudi Arabia, Essaydi explores the ways that gender and power are inscribed on Muslim women's bodies and the spaces they inhabit.

She has stated that her work is autobiographical[3] and that she was inspired by the differences she perceived in women's lives in the United States versus in Morocco, in terms of freedom and identity.[4] She explores a broad range of perspectives, including issues of diaspora, identity, and expected location through her studio rehearse in Boston.[5] The inspiration for many of her works came from her childhood, in the physical space where she, as a young woman, was sent when she disobeyed.

She stepped outside the permissible behavioral cosmos, as defined by Moroccan culture.[6] Essaydi said her works will become haunted by spaces she inhabited as a child.[7]

Several pieces of her work (including Converging Territories) combine henna, which is traditionally used to decorate the hands and feet of brides, with Arabic calligraphy, a predominantly male practice.[8] While she uses henna to apply calligraphy to her female subjects' bodies, the words are indecipherable in an attempt to question authority and meaning.[8]

The women depicted in her exhibition of photographs, Les Femmes du Maroc, are represented as decorative and confined by the art of henna.[9] Essaydi thus poses her subjects in a way that exemplifies society's views of women as primarily destined for mere beauty.

Henna, however, is extremely symbolic, especially to Moroccan women. It is an association with familial celebrations of a young girl reaching puberty and transitioning into a mature woman. The use of henna in her work creates a silent atmosphere of the women "speaking" to each other through a quality of femininity.

It is predominantly a painting process where women who are discouraged to work outside the place find a profitable work in applying a tattoo-like material.[9] Beyond creating powerful pieces revolving around the art of henna, Essaydi includes interpretations of traditional Moroccan elements, including draped folds of cloths adorning women's bodies, mosaic, tiles, and Islamic architecture.[10]

Converging Territories

Initiated in the early s, Essaydi's photographic series Converging Territories captures women dressed in white, covered in Arabic calligraphy written with henna, positioned within traditional Moroccan domestic spaces.

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As Islamic calligraphy was typically only taught to men, Essaydi, a self taught calligrapher, portrayed this writing on her subjects to embrace the gender roles of her cultural heritage.[11] The scenes portrayed are a distinct develop of resistance, allowing the women depicted to claim the spaces as their own and rewrite the narratives of their lived experiences.[12] Essaydi's meticulous process involves hours of hand-painting the henna calligraphy on her subjects and their environments.[13] The resulting images in "Converging Territories" are a critique of the patriarchal structures while celebrating the strength and resilience of Arab women.[14]Converging Territories has been exhibited at the New Britain Museum of American Art, the Joel Soroka Gallery, the Anya Tish Gallery, Jackson Fine Art, the Lisa Sette Gallery, the Columbus Museum of Art, the Howard Yezerski Gallery, and the Laurence Miller Gallery.

[15]

Exhibitions

Her work has been exhibited at the National Museum of African Art.[16][17] In , the San Diego Museum of Art mounted the exhibition, Lalla Essaydi: Photographs.[18] Essaydi's work was featured in the exhibition, Revival, at the National Museum of Women in the Arts, in Washington, DC.[19]

Collections

Her work is represented in a number of collections, including the Art Institute of Chicago;[20] the Museum Five Continents;[21] the San Diego Museum of Art;[citation needed] the Cornell Fine Arts Museum,[22] Winter Park, Florida; the Fries Museum in Leeuwarden, The Netherlands; the Museum of Satisfactory Arts, Boston;[23] the National Museum of Women in the Arts;[19] and the Williams College Museum of Art in Williamstown, Massachusetts.[24]

Awards

She was named as #18 in Charchub's "Top 20 Contemporary Middle Eastern Artists in ".[25]

In she received a Medal Award from the School of the Museum of Fine Arts, Boston.[4]

References

  1. ^Brown, DeNeen (May 6, ).

    "Challenging the fantasies of the harem". Washington Post. Archived from the first on April 2,

  2. ^"Lalla Essaydi".

    Source: Wikipedia. Source: lallaessaydi. Toggle navigation. Extended Deadline: January 24, Enter Here.

    . Brooklyn Museum. Retrieved 21 February

  3. ^"Lalla Essaydi on Boston's art scene". The Boston Globe. As told to Tina Sutton. 20 May Archived from the original on 26 July Retrieved 9 March : CS1 maint: others (link)
  4. ^ abNassar, Nelida (31 May ).

    "Lalla Essaydi SMFA Award Recipient Dispels Orientalists Western Prejudices". Berkshire Nice Arts. Retrieved 9 March

  5. ^Monem, Nadine, ed. (). Contemporary Art in the Middle East. Artworld. London: Black Dog Publishing.

    p.&#; ISBN&#;.

  6. ^Waterhouse, Ray (). "Lalla Essaydi: An Interview". Nka: Journal of Contemporary African Art. 24 (1): – doi/ ISSN&#; S2CID&#;
  7. ^Brown, DeNeen ().

    "Artist Lalla Essaydi challenges stereotypes of women in Islamic cultures". Washington Post. ISSN&#; Retrieved

  8. ^ abErrazzouki, Samia (16 May ). "Artistic Depictions of Arab Women: An Interview with Creator Lalla Essaydi".

    Jadaliyya. Retrieved 9 March

  9. ^ abEssaydi, Lalla (). Converging Territories. New York: PowerHouse Books. pp.&#;26– ISBN&#;.
  10. ^Rocca, Anna (Fall ).

    "In Search of Beauty in Space: Interview with Lalla Essaydi". Dalhousie French Studies. (Women from the Maghreb: Looking Back and Moving Forward): – JSTOR&#;

  11. ^"Art Through Time: A Global View".

    Annenberg Learner. Retrieved 24 May

  12. ^Brielmaier, Isolde (), Toscano, Ellyn; Willis, Deborah; Brooks Nelson, Kalia (eds.), " Reinventing the Spaces Within: The Early Images of Artist Lalla Essaydi", Women and Migration&#;: Responses in Art and History, OBP collection, Cambridge: Open Book Publishers, pp.&#;–, ISBN&#;, retrieved
  13. ^Essayai, Lalla A.

    (March 1, ). "Disrupting the Odalisque". World Literature Today: 62–67 &#; via EBSCOhost.

  14. ^"Lalla Essaydi: Converging Territories, January 6 - February 25, ". Jackson Fine Art.

    Lalla Assia Essaydi (Arabic: للا السيدي; born ) is a Moroccan photographer known for her staged photographs of Arab women in contemporary art. She currently works in Boston, Massachusetts, and Morocco. Her current residence is in New York.

    Retrieved

  15. ^"LALLA ESSAYDI". . Retrieved
  16. ^Cheers, Imani M. (May 9, ). "Q&A: Lalla Essaydi Challenges Muslim, Gender Stereotypes at Museum of African Art". PBS NewsHour.
  17. ^"Lalla Essaydi Revisions: Introduction".

    National Museum of African Art. Retrieved

  18. ^Chute, James (1 July ).

    A NMWA visitor studies Lalla Essaydi’s work in She Who Tells a Story. Her images often focus on a woman or small group of women whose clothing and bodies are decorated to match their surroundings.

    "Making eye contact". The San Diego Union Tribune. Retrieved 3 February

  19. ^ ab"Returning the Gaze: Lalla Essaydi". National Museum of Women in the Arts. July 25, Retrieved March 25,
  20. ^"Lalla Assia Essaydi".

    Lalla Essaydi, Harem 2, Moroccan artist Lalla Essaydi, 64, is well recognizable for her dazzling, multidimensional staged photographs, which in spite of their simplicity, masterfully capture and challenge the complexities of social structures, women's identities and cultural traditions. Essaydi is a poet of architecture, the female body, and color. Where letters overwhelm her composition, the bold presence of women and the veiled apprehension in their eyes disrupt all equations of beauty.

    The Art Institute of Chicago. Retrieved

  21. ^"Sammlung Südwestasien und Nordafrika". Museum Fünf Kontinente (in German). Retrieved
  22. ^"The Alfond Collection of Contemporary Art at Rollins College".

    Retrieved March 9,

  23. ^"Converging Territories #29". MFA Boston.
  24. ^Goodman, Abigail Ross, ed.

    Lalla Essaydi's Art For Sale, Exhibitions & Biography - Ocula: In photographs, paintings, installations, and films, Essaydi creates a dialogue juxtaposing past and present, as well as fantasy and existence. She references her own memories and experiences, art history, and contemporary cultural, social, and political realities in her native Morocco.

    (). Art for Rollins: the Alfond Collection of Contemporary Art. Winter Park, Fla.: Cornell Okay Arts Museum. ISBN&#;.

  25. ^Ehsani, Ehsan; Rokhsari, Hossein. "Middle Eastern Titans: Superior 20 Contemporary Middle Eastern Artists in ".

    Charchub. Retrieved 7 February

External links